A La Folie Pas Du Tout Film Complet

The clinic was founded by Jean Oury, a psychiatrist who previously worked in experimental therapy at Saint-Alban Psychiatric Hospital. The psychiatric practice borrowed the idea of Hermann Simon that it is necessary to look after the establishment and to look after each patient, while returning initiative and responsibility to them by developing situations in which they can work and express their creativity. Since the mid-50s Félix Guattari has worked at La Borde, developing its practice and organization and producing alongside Oury a body of theoretical work on the practice and theory of schizoanalysis, set in practice at La Borde, and included in his 1972 collaboration with the philosopher Gilles Deleuze, Anti-Œdipus. Among the many aspects of La Borde is the annual summer tradition in which the "boarders" and staff work together to perform a play.

A scientist develops a powder that he believes will have the effect of distorting reality for those who take it. To test its effect tries it out on his assistant, a dog, himself and two young couples.

Comedy about a muslim and how is (expected) to behave.

Dive into the "Erasme" unit of french psychiatric hospital St Jean de Dieu, as they are obliged to imagine a new project without hospital beds because of a lack of means and doctors. A closer look at psychiatric care and institutional therapy?

Following a misunderstanding, a young servant is mistaken for the rich heir that the owner of a fashion house intended for his daughter. The servant is satisfied while the millionaire is in charge of washing the dishes.

This is a Folies Bergère show with Josephine Baker in the spotlight.

The daily life of patients and the work of doctors, including Dr. François Tosquelles, at the psychiatric hospital of Saint-Alban in Lozère.

When his woman walks out on him, the clown suffers from hallucinations, imagining various people and situations in his misery.

A short film which explores various paintings from mental patients.

A symbolist portrait of two gypsies in love, this captivating film finds Dulac deconstructing onscreen gender roles and striving to achieve her idea of cinema as a “visual symphony,” emphasizing rhythmic editing over acting to achieve a “cinema of suggestion.”

Mr. Dupont, after numerous disappointments in his self-esteem, decides to seek his fortune in Africa. Hired as assistant director in a Prisunic at A.O.I., he begins to sell the plane ticket paid for by his new employer. The boat trip cost him a month's delay and legal proceedings for fraud. Panicked, he decides to flee into the bush where he is sometimes the victim, sometimes the hero of his adventure. Finally, Mr. Dupont, returning to a civilized country, finds himself obliged, in order not to risk prison, to agree to return to the service of the director of the Prisunic as a valet. When he leaves this difficult boss, he only finds a job as a sandwich maker in an exotic cabaret. He is forced to disguise himself as a Black man.